Modest Mouse
Good News for People Who Love Live Shows
Live compilation of songs from the album Good News for People Who Love Bad News
Compiled and edited by Matt Pruitt AKA MajinTrunkz (MajinTrunkz@gmail.com)
Source:
Individual Track Sources > Foobar2000 v.0.9.6.1 > WAV > Audacity 1.3.5 > Flac
In Audacity, I put the tracks in order and edited crowd noise in between tracks so the flow from one song to the next would be better.
Tracks:
01. Keys Intro (2006-11-05) *
02. The World at Large (2005-02-28)
03. Float On (2007-04-29)
04. Ocean Breathes Salty (2005-06-13)
05. Bury Me With It (2005-06-06)
06. I've Got it All (Most) (2003-05-10) &
07. Dance Hall (2008-06-23)
08. Bukowski (2006-11-05)
09. This Devil's Workday (2004-02-13) !
10. The View (2007-05-02)
11. Satin in a Coffin (2004-12-13)
12. Interlude (Isaac) (2005-06-13) $
13. Blame it on the Tetons (2005-06-06)
14. Black Cadillacs (2008-06-26)
15. One Chance (2004-12-13)
16. The Good Times are Killing Me (2005-06-26) %
* This is in the place of "Horn Intro" from the album. It's actually a short clip from the intro of an improvised jam the band played; Isaac is playing keyboard, since the jam came right after "The World at Large" in that show.
& I've placed this song where it appears on the DualDisc release of Good News.
! Taken from the end jam of a version of "Cowboy Dan", and is entirely different from the album version of "This Devil's Workday" except for the lyrics; however, I feel it works well as a standalone song so I've included it for completion's sake. The band did play "Devil's Workday" with the Dirty Dozen Brass Band during their 2008 tour, but no lossless recordings have surfaced. If you've got one, please let me know!
$ In the place of "Interlude (Milo)" from the album. Just a short rant from Isaac comparing the venue (Fox Theatre in Atlanta, to be specific) to a castle. I thought it was funny, so I threw it in there.
% With members of Broken Social Scene.
Thanks a lot to all the individual tapers whose recordings I've used for this, and I hope you enjoy it.
Individual Track info:
Tracks 1 and 8:
Taper: Robin Cunningham (crcunnin@yahoo.com)
Source: Mics- Matched Audio Technica AT853 Slimline Cardioid Stereo Model:SP-CMC-8 > SP-SPSB-6SL (batt. box module w/ Bass Roll Off set @ 69 Hz)
Recorder(Portable Digital Hardrive):iRiver Model:iHP-140(wav @ 44.1 KHz 16 bit)
Transfer : >USB2>Computer Hardrive>master wav was edited, tracked and cut using Soundforge 8.0>flac using Flac Frontend
Edit notes: The volume was increased 5.51 db on the left channel and 4.51 db on the right channel.
Taped on November 5, 2006 at Club Avalon in Hollywood, CA.
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Track 2:
Taper: Dan Lang
Source: earthworks SR71's > DMic20 > DA-P1 48k > analog out > iRiver iHP-140 hard disc > USB2.0 > SoundForge (fades,normalize) > CDWave(splits) > FLAC 1.7.1 etree edition level 8
Taped on February 28, 2005 at First Avenue in Minneapolis, MN.
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Track 3:
Taper: ?
Source: DPA 4021 > SD 722 (96k/24)
Peak Pro 5.2 (gain boost; sample rate conversion; bit-rate reduction) > xACT
Taped on April 29, 2007 at the United Palace Theatre in New York, NY.
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Tracks 4 and 12:
Taper: ToriphileMaria
Mastered: Tipharet
Source: SPt16 Cardioids > SPSB-1 (bass roll-off @ 107hz, line-in) > Sony D100 (48kHz)
Transfer: DAT-Master > Sony D100 (48kHz)(SPDIF Out) > M-Audio Delta Audiophile 2496 (SPDIF In @ 48 kHz) >
WaveLab(EQ,Tracked & Resample @ 44.1kHz) > .WAV > FLAC Frontend > .FLAC
Taped on June 13, 2005 at the Fox Theatre in Atlanta, GA.
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Tracks 5 and 13:
recorded- Neumann KM140's (cardioid condenser pair approx 90 degrees on stand, 3 seats right of left ctr aisle, barely FOB) > Beyer MV100 (Phantom mic power and +20dB gain) > Sony SBM-1 (Doug Oade mod) > 48KHz S/Pdif > Sony TCD-D8 DAT
transferred- DAT > S/Pdif > Audiomedia III PCI card > Powermac G3/266 > Protools v4.1.1 > 44.1KHz AIFF files (Sample rate converted using "best" mode- 4th slowest of 5) > Audacity v1.2.3 (tracking) > xACT v1.4 (SBEfix and level 8 FLAC Compression) > FLAC files
Taped on June 6, 2005 at the Orpheum Theatre in Madison, WI.
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Track 6:
Taper: Christopher Baumann
Shned by: Toni Rickman
Source: sp-bmc3>sp-spsb-1 batt mod>md-mt180>cdr0
Taped on May 10, 2003 at the University Ballroom in Missoula, MT.
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Track 7:
Taper: ?
Source: Edirol R-9 and AKG 391
Taped on June 23, 2008 at the Fillmore in Miami Beach, FL.
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Track 9:
Taper: james ( j@xamichee.net )
Source: CSB (clipped to hat) -> Battery Box
(bass roll off) -> PCM-M1 (48kHz 16bit)
Position: 15' right side of stage
Transfer: PCM-M1 -> 7-pin-to-coax cable ->
Delto DIO 2496 -> Sound Forge 6
(downsampled to 44.1kHz) -> wav-> shntool -> FLAC
Taped on February 13, 2004 at the Social in Orlando, FL.
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Track 10:
Taped, Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com)
Sony WM-D6C Professional Walkman recorder
2 Custom Sennheiser microphones
Maxell metal cassettes
Master Cassettes ->
Aiwa AD-WX808 cassette deck ->
M-Audio Firewire Audiophile 2496 ->
CDWAV 24-bit/96-KHz wav files ->
Goldwave (normalizing and crossfades) ->
CD Wave (track breaks)
dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to
16-bit/44.1 KHz wav files) ->
FLAC Front End (FLAC 8 with sector boundary alignment)
No EQ'ing.
Taped on May 2, 2007 at Lupo's Hearbreak Hotel in Providence, RI.
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Tracks 11 and 15:
SOURCE: Schoeps MK4s (ORTF)>Nbox>Oade line mod SBM-1@44.1 kHz>Sony PCM-M1
TRANSFER: Tascam DA-20 MkII>Emagic Audiowerk2>CD Wave Editor>FLAC Frontend 1.7.1
recorded and transferred by Robert Dempster (rdempster@gmail.com)
Taped on December 13 at the Crystal Ballroom in Portland, OR.
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Track 14:
Taper: terryfunku
Source:
SP-CMC-8 > SPSB-8 with bass roll-off > Edirol R-09 (24 bit/44.1 kHz)
Transfer:
Edirol R-09 > USB > Audacity 1.2.6 (amplified +6 dB, had to cut and paste some right channel audio to the left channel*, exported to 16 bit WAV file) > CD Wave (tracking) > FLAC (level 8)
Taped on June 26, 2008 at the House of Blues in Myrtle Beach, SC.
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Track 16:
Taper: ?
Source: soundpro deluxe cardiods>9v battery preamp>sony minidisc>wav>Flac level 8
Taped on June 26, 2005 at Olympic Island in Toronto, Ontario, Canada.