Tom Petty & The Heartbreakers
Irving Plaza
New York, NY
April 11, 1999
3 Source SBD + AUD Matrix Mix V2
(60%-SBD + 20%-AUD1 + 20%-AUD2)
Disc 1
01 [01:11] Intro
02 [01:50] Rip It Up
03 [04:20] Jammin' Me
04 [04:57] Runnin' Down A Dream
05 [06:39] Call Me The Breeze
06 [06:12] Swingin'
07 [07:16] Mary Jane's Last Dance
08 [03:52] Telstar
09 [04:14] Listen To Her Heart
10 [08:32] You Don't Know How It Feels
11 [11:38] It's Good To Be King
12 [03:51] I Won't Back Down
13 [04:03] Green Onions
14 [04:00] I Want You Back Again
15 [02:59] I Got A Woman
TT [75:43]
*Disc 2
16 [04:59] The Letter
17 [03:17] Little Maggie
18 [04:17] Lay Down My Ole Guitar
19 [03:49] Walls
20 [04:08] Angel Dream
21 [01:25] Titanic
22 [05:42] Room At The Top
23 [02:49] Heartbreakers Beach Party
24 [02:49] Guitar Boogie Shuffle
25 [03:28] Even The Losers
26 [02:53] I Don't Wanna Fight
27 [05:13] Country Farm
28 [07:54] You Wreck Me
Encore
29 [04:11] Free Girl Now
30 [08:35] Gloria
TT [65:36]
*For burning CDRs, split discs btwn track 15 and 16 to
coincide with the included artwork.
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Source Info
SBD
SBD > DAT(M) > DAT(1) > DAT(2) >CDRW700 > EAC > FLAC
Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC
AUD1
Schoeps MK4 > SX-M2 > SBM-1 > D100 > DAT(M) > DAT(1)
Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC
AUD2
AKG300b's > Aero > PCM-M1 > DAT(M) > DAT(1)
Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC
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Tech Notes
FLACs were decoded to wave and SF 8.0 was used to reassemble
the tracks back to 1 long wave. CEP2.0 was used to align &
synch all 3 sources. Soundforge 8.0 was used to remove a line
buzz that ran throughout the SBD source. Wave L3 Ultramaximazer
used to perform compression. Multitrack mixdown was performed
using CEP2.0. This is a 60% SBD, 20% AUD1, 20% AUD2 mix.
- Mixed by dan@am-dig.com
- FLAC conversion done 17-JLY-2005
- REMASTER FLAC conversion done 17-JLY-2010 (5 yrs later)
- Artwork by dan@am-dig.com 300dpi - For best results print
at the highest resolution onto glossy photo paper. Design for
use with a clear slim double jewel case.
"You can take me out of America but you cannot take the American
out of me." ~ DH Stellenbosch, S.A.
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Multitrack Mixdown Settings
Stereo Matrix
SBD -3.5db
AUD1 -7db
AUD2 -8db
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Notes
Remaster done largely to utilize Waves L3 which I did not
have at my disposal back in 2005. The drums ran extremely
hot on the SBD recording. Wave L3 was able to best contain
the drum while increasing the volume on the rest of the mix.
I also was able to utilize MLP encoding for the six channels
of 24/96 high resolution audio for use with the DVD-Audio
version. I also did not have at my disposal back in 2005.
Disc 1 and disc 2 can be assembled seamlessly on longer media.
There was an audible line buzz running throughout the SBD
recording. This was likely not going over the PA as the buzz
is not apparent on either of the AUD sources. The SBD DAT
recording continued to run after the feed from the SBD had
ended and the buzz continued. This leads me to concluded it
was a line feed problem. Bad cable possibly? Because the
recording continued after the music ended a perfect recording
of the buzz was recorded. This allowed me to accurately
capture and then remove the noise throughout the recording
very accurately without disturbing the fidelity of the
recording. This was done with Soundforge 8.0 using the
highest quality setting.
The 2 AUD tapes made that night were from similar locations
as you can hear the same 'cat calls', claps, etc. on both
recordings. However the 2 recordings still blended well
together and had different and unique sound characteristics.
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Additional Formats
This show is available in the following formats:
1. The straight SBD, AUD1 and AUD2 recordings.
2. SBD + AUD1 + AUD2 Matrix Mix at 16/44 CD-Audio
3. SBD + AUD1 + AUD2 Matrix Mix at 24/96 DVD-Audio
4. SBD + AUD1 + AUD2 DTS-Audio-CD 5.1 Surround Sound
5. SBD + AUD1 + AUD2 MLP 24/96 DVD-Audio 5.1 Surround Sound
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Samples Folder - 4 Additional FLAC Files
Here you will find 4 samples. One is a short snip of the noise
pattern that ran throughout the recording. This noise was
particularly evident in the quite portions of mellow or acoustic
numbers (turn the volume up to hear). The 2nd clip is the SBD
with the noise pattern still intact. The third is a sample of
Matrix Mix after the noise pattern was methodically removed. The
final sample is a side-by-side of SBD and Matrix recordings
(approx 20 sec MTX, 20 secs SBD, 20 secs MTX and 20 secs SBD).
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