David Bowie
The Forum
Los Angeles, CA
April 4, 1978
Mike Millard first generation cassettes via JEMS
The Lost and Found Mike the MICrophone Tapes Vol. 16

Recording Gear: AKG 451E microphones (CK-1 cardioid capsules) > Nakamichi 550
cassette recorder

JEMS 2019 TRANSFER: first-generation cassettes made by Mike Millard for Barry G >
Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0
24/96) capture > iZotope RX MBIT+ resample 16/44.1 > iZotope RX and Ozone mastering >
Peak Pro 6 (volume smoothing / edit / index) > xACT 2.39 > FLAC

01 Warszawa
02 Heroes
03 What In The World
04 Be My Wife
05 Jean Genie
06 Blackout
07 Sense of Doubt
08 Speed of Life
09 Breaking Glass
10 Beauty and the Beast
11 Fame
12 Five Years
13 Soul Love
14 Star
15 Hang on to Yourself
16 Ziggy Stardust
17 Suffragette City
18 Rock ’n’ Roll Suicide
19 Art Decade
20 Station to Station
21 Stay
22 TVC15
23 Rebel Rebel

Known Faults:

JEMS is pleased to reignite our Lost and Found Mike the MICrophone series,
presenting recordings made by legendary taper Mike Millard, AKA Mike the MICrophone,
best known for his masters of Led Zeppelin done in and around LA circa 1975-77. For
further details on how some tapes in this series came to be lost and found again,
as well as JEMS' history with Mike Millard, please refer to the notes in
Vol. One:http://www.dimeadozen.org/torrents-details.php?id=500680

Volume 16 is a special one indeed as it presents Millard’s excellent recording of
David Bowie at the Forum on the Isolar II tour, a show made famous by the bootleg
Slaughter in the Air. As I began working on this project I did a bit of Internet
research, where it has been speculated that the Slaughter recording was a Millard
master, presumably based on its quality. To the best of our knowledge, previous DIME
torrents of Forum ’78 are vinyl rips of Slaughter and various other bootlegs sourced
from the same tape.

YouTube also has a second source of the show, vastly inferior in quality, but which does
include the opening song, “Warszawa,” which is omitted from the bootleg sources.

Millard’s capture features “Warszawa,” and I assumed it had been cut for space on bootleg
vinyl. But when I did an A-B comparison in a couple of spots, I was surprised to learn
that Millard’s recording is not the one featured on Slaughter and is in fact a third
source. While I can’t say with certainty it is wholly uncirculated, it is surely new to
most and presents the best and most complete recording of this show to date. It offers
superior fidelity to Slaughter and is classic Millard in terms of clarity. There are some
potent whistlers present and close by, but thanks to mjk5510, we’ve tamed those for
maximum listening pleasure. Samples provided.

Isolar II is one of my favorite Bowie tours, brilliantly mixing the art rock of the
Berlin records with a fresh take on the Ziggy era and other contemporary goodies like
“Station to Station,” “TVC 15” and “Stay.” It sounds very fresh today, and you can’t
beat the pairing of Adrian Below and Carlos Alomar on lead and rhythm guitar
respectively, plus the incredible drumming of Dennis Davis.

Millard himself made this set of tapes for Barry G, another close friend who attended
many concerts with Mike in the ‘70s and ‘80s. We’re so grateful that Barry agreed to
share his Millard first gens with JEMS for our Lost and Found Mike the Mike series.
Like Jim R., Barry also shot photos at many of the concerts he attended, including this
one, and we’ve used those images in the artwork. Mike’s own cassette art is especially
appealing for this show.

JEMS is thrilled to partner with Barry and Jim R to release more of Millard’s fantastic
recordings and to help set the record straight about the man himself. It’s been 25 years
since he passed away, and the Internet version of his life story is highly speculative
and often inaccurate.

We can’t thank Barry enough for trusting us with his Millard tapes and his own fantastic
masters like the recently released Queen Santa Monica ’76. Tip o’ the cap as well to
mjk5510 for his essential contributions to the Lost and Found series and to Exit Club
for taking the Millard journey with us. We hope our efforts honor and celebrate the man
and the music he so brilliantly preserved.

Finally, cheers to the late, great Mike the MICrophone and to finding more lost tapes.

May he rest in peace.